‘Normally I just do it off the cuff because I never expect anyone to fucking turn up! This time I’m going to take it in a certain direction because I usually end up talking about anthropology instead of photography, it tends to get into being a societal talk about the history and movements of people and culture. I’m a bit like, “hold up a minute, I got kicked out of school at 15, what the fuck am I talking about this for?” There’s a photographic story there that very rarely gets told because the power of the images take over from the fact I was really interested in photography and is the great love of my life. I rarely talk about my photographic journey, we end up talking about Skinheads, the history of Skinheads, the history of rave and the culture around that. The reason these photographs exist is because I took them, and I took them because I love photography and knew how to work a camera. I had a moment of clarity the other day that all the Skinhead stuff is my mundane, personal work that I never expected anyone to see. My first real job as a photographer was working for a music paper called Sounds. I spent three or four years photographing all the bands of the mid-80s, from Morrissey to the Pogues, The Proclaimers, Siouxsie and the Banshees – the list goes on. And no one knows that I did it. I forget that I did it! I am a well-rounded photographer – I wasn’t in a bubble of just me and my mates on a Shane Meadows movie set! I was pursuing a career in photography and the Skinheads stuff was just part of the wallpaper of the time, of course two decades later it’s become something totally different. I’ve seen my mundane life become a golden era, it’s become romanticised.’
Read the whole interview here.
Youth Club First Tuesday is at Doomed Gallery on Tuesday 5th April. Details here.